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Publications (10 of 74) Show all publications
Karlholm, D. (2019). Jorden, rummet och flätverket: Ulrik Samuelsons tankar om konst (1ed.). In: Dan Karlholm (Ed.), Ulrik Samuelson - Sättarens anmärkning: Tankar om konsten och konstlivet 1962-2016 (pp. 215-237). Stockholm: Arvinius + Orfeus Publishing
Open this publication in new window or tab >>Jorden, rummet och flätverket: Ulrik Samuelsons tankar om konst
2019 (Swedish)In: Ulrik Samuelson - Sättarens anmärkning: Tankar om konsten och konstlivet 1962-2016 / [ed] Dan Karlholm, Stockholm: Arvinius + Orfeus Publishing , 2019, 1, p. 215-237Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Stockholm: Arvinius + Orfeus Publishing, 2019 Edition: 1
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-39030 (URN)9789187543845 (ISBN)
Available from: 2019-09-19 Created: 2019-09-19 Last updated: 2019-09-20Bibliographically approved
Karlholm, D. (Ed.). (2019). Ulrik Samuelson. Sättarens anmärkning: Texter om konsten och konstlivet 1962-2016 (1ed.). Stockholm: Arvinius + Orfeus Publishing
Open this publication in new window or tab >>Ulrik Samuelson. Sättarens anmärkning: Texter om konsten och konstlivet 1962-2016
2019 (Swedish)Collection (editor) (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Stockholm: Arvinius + Orfeus Publishing, 2019. p. 240 Edition: 1
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-39029 (URN)9789187543845 (ISBN)
Available from: 2019-09-19 Created: 2019-09-19 Last updated: 2019-09-20Bibliographically approved
Karlholm, D. & Moxey, K. (2018). Introduction: Telling art’s time. In: D. Karlholm & K. Moxey (Ed.), Time in the History of Art: Temporality, Chronology and Anachrony (pp. 1-10). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Introduction: Telling art’s time
2018 (English)In: Time in the History of Art: Temporality, Chronology and Anachrony / [ed] D. Karlholm & K. Moxey, New York & Abingdon, Oxon: Routledge, 2018, p. 1-10Chapter in book (Other academic)
Abstract [en]

Art history as we know it is regarded by many actors in the art world as obsolete. Today, it seems contemporaneity rules in a “post-historical” situation, where art history seems deprived of a future. Some two decades or more after the heyday of postmodernism, it is time to reconsider what kinds of historical claims can still be made for the field of art history and visual studies. If the very word “history” is laden with antiquated expectations of “objectivity” as the discipline goes about its customary business of putting objects back into their chronological place, then the concept of temporality opens up fresh approaches to the temporal organization of the discipline. What if visual art is in a position to explain and expand history rather than vice versa? What if the artwork grounds history? What if the work does not necessarily belong to its own time, but was born prematurely or belatedly, disjointed with respect to a chronological axis? Art historical approaches are still possible, indeed needed, but they do look a little different from those to which we have become accustomed.

Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018
Series
Studies in Art Historiography
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36160 (URN)2-s2.0-85050055586 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-09-11 Created: 2018-09-11 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. (2018). Is History To Be Closed, Saved, or Re-Started?: Considering Efficient Art History (1ed.). In: Dan Karlholm & Keith Moxey (Ed.), Time in the History of Art: Temporality, Chronology, and Anachrony (pp. 13-25). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Is History To Be Closed, Saved, or Re-Started?: Considering Efficient Art History
2018 (English)In: Time in the History of Art: Temporality, Chronology, and Anachrony / [ed] Dan Karlholm & Keith Moxey, New York & Abingdon, Oxon: Routledge, 2018, 1, p. 13-25Chapter in book (Other academic)
Abstract [en]

Rather than recourse to historicism’s investments in determinative causes, “efficient” history, it is argued, should take its cue from the after-life or the history of the artwork following its creation at a specific moment in time. The perceived temporal crisis of art history today has much to do with developments on the scene of contemporary art related to the idea of contemporaneity more broadly. Post-history and post-future are criticized here for their rather facile dismissal of history. Whereas post-history is predicated upon a teleological philosophy of history, post-future is ultimately indebted to the concept of history it purports to abandon. The concept of the past is turned on its heels and used to characterize the present, which withers away, while the past remains and accumulates into a “present past.” Martin Heidegger and Gilles Deleuze, alongside Bruno Latour, are mobilized to form a future-oriented history model, in which anachronic quasi-objects are traced, linked, and associated in actual patterns of interconnection, in part reminiscent of the model set by the catalogue raissonné rather than the established developmental narrative of the history of art.

Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018 Edition: 1
Series
Studies in Art Historiography
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-35614 (URN)2-s2.0-85050056493 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-06-14 Created: 2018-06-14 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. & Moxey, K. (Eds.). (2018). Time in the History of Art: Temporality, Chronology, and Anachrony (1ed.). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Time in the History of Art: Temporality, Chronology, and Anachrony
2018 (English)Collection (editor) (Other academic)
Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018. p. 253 Edition: 1
Series
Studies in Art Historiography
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-35611 (URN)10.4324/9781315229409 (DOI)2-s2.0-85050067339 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-06-14 Created: 2018-06-14 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. (2017). Den möjliga bilden. In: Hans Ruin & Jonna Bornemark (Ed.), Ad Marciam: (pp. 265-273). Huddinge: Södertörns högskola
Open this publication in new window or tab >>Den möjliga bilden
2017 (Swedish)In: Ad Marciam / [ed] Hans Ruin & Jonna Bornemark, Huddinge: Södertörns högskola, 2017, p. 265-273Chapter in book (Other academic)
Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2017
Series
Södertörn Philosophical Studies, ISSN 1651-6834 ; 20
National Category
Philosophy Arts
Identifiers
urn:nbn:se:sh:diva-32137 (URN)978-91-87843-72-3 (ISBN)
Available from: 2017-02-20 Created: 2017-02-20 Last updated: 2017-05-10Bibliographically approved
Karlholm, D. (2017). Fragments of a Place called the End of the World. In: Marcia Sa Cavalcante Schuback & Susanna Lindberg (Ed.), The End of the World: Contemporary Philosophy and Art (pp. 147-162). London: Rowman & Littlefield International
Open this publication in new window or tab >>Fragments of a Place called the End of the World
2017 (English)In: The End of the World: Contemporary Philosophy and Art / [ed] Marcia Sa Cavalcante Schuback & Susanna Lindberg, London: Rowman & Littlefield International, 2017, p. 147-162Chapter in book (Other academic)
Place, publisher, year, edition, pages
London: Rowman & Littlefield International, 2017
Keywords
Life-World, Medium, Heidegger, Martin, Durham-Peters, John, Edmund Husserl, Jules Verne
National Category
Cultural Studies Philosophy
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-31660 (URN)9781786602619 (ISBN)978-1-78660-263-3 (ISBN)
Available from: 2017-01-11 Created: 2017-01-11 Last updated: 2018-01-12Bibliographically approved
Karlholm, D. (2017). Lärd bok för att komma tidens verkningar på spåren: Recension av Rüdiger Safranski, Tid - vad den gör med oss och vi med den (Daidalos) [Review]. Respons : recensionstidskrift för humaniora & samhällsvetenskap (3), 32-34
Open this publication in new window or tab >>Lärd bok för att komma tidens verkningar på spåren: Recension av Rüdiger Safranski, Tid - vad den gör med oss och vi med den (Daidalos)
2017 (Swedish)In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 3, p. 32-34Article, book review (Other academic) Published
National Category
Philosophy, Ethics and Religion
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-33936 (URN)
Available from: 2017-12-18 Created: 2017-12-18 Last updated: 2017-12-19Bibliographically approved
Karlholm, D. (2017). När konsten blev subjekt. In: Anders Burman & Lena Lennerhed (Ed.), Samtider: Perspektiv på 2000-talets idéhistoria (pp. 37-58). Göteborg: Daidalos
Open this publication in new window or tab >>När konsten blev subjekt
2017 (Swedish)In: Samtider: Perspektiv på 2000-talets idéhistoria / [ed] Anders Burman & Lena Lennerhed, Göteborg: Daidalos, 2017, p. 37-58Chapter in book (Other academic)
Place, publisher, year, edition, pages
Göteborg: Daidalos, 2017
Keywords
materialitet, bildakt, agens, aktör-nätverk, Latour, influens
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-33937 (URN)978-91-7173-515-7 (ISBN)
Available from: 2017-12-18 Created: 2017-12-18 Last updated: 2017-12-22Bibliographically approved
Karlholm, D. (2017). The Canon of Contemporary Art: From Popular to Academic. Marburger Jahrbuch für Kunstwissenschaft, 44, 319-327
Open this publication in new window or tab >>The Canon of Contemporary Art: From Popular to Academic
2017 (English)In: Marburger Jahrbuch für Kunstwissenschaft, ISSN 0342-121X, Vol. 44, p. 319-327Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Marburg: , 2017
Keywords
Contemporary Art, Canon, Historiography
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36833 (URN)
Note

ISBN 978-3-89739-916-7

Available from: 2018-11-29 Created: 2018-11-29 Last updated: 2018-11-29Bibliographically approved
Projects
Time, Memory, and Representation – A Multidisciplinary Program on Transformations in Historical Consciousness [M09-0158:1-E_RJ]; Södertörn UniversityArt, culture, conflict: transformations of museums and memory culture in the Baltic Sea region after 1989 [46/2015_OSS]; Södertörn University; Publications
Öhrner, A. (2018). Niki de Saint Phalle Playing with the Feminine in the Male Factory: Hon - en katedral. Stedelijk Studies (7), 1-16
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-3154-9552

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