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Karlholm, D. & Moxey, K. (2018). Introduction: Telling art’s time. In: D. Karlholm & K. Moxey (Ed.), Time in the History of Art: Temporality, Chronology and Anachrony (pp. 1-10). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Introduction: Telling art’s time
2018 (English)In: Time in the History of Art: Temporality, Chronology and Anachrony / [ed] D. Karlholm & K. Moxey, New York & Abingdon, Oxon: Routledge, 2018, p. 1-10Chapter in book (Other academic)
Abstract [en]

Art history as we know it is regarded by many actors in the art world as obsolete. Today, it seems contemporaneity rules in a “post-historical” situation, where art history seems deprived of a future. Some two decades or more after the heyday of postmodernism, it is time to reconsider what kinds of historical claims can still be made for the field of art history and visual studies. If the very word “history” is laden with antiquated expectations of “objectivity” as the discipline goes about its customary business of putting objects back into their chronological place, then the concept of temporality opens up fresh approaches to the temporal organization of the discipline. What if visual art is in a position to explain and expand history rather than vice versa? What if the artwork grounds history? What if the work does not necessarily belong to its own time, but was born prematurely or belatedly, disjointed with respect to a chronological axis? Art historical approaches are still possible, indeed needed, but they do look a little different from those to which we have become accustomed.

Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018
Series
Studies in Art Historiography
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36160 (URN)2-s2.0-85050055586 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-09-11 Created: 2018-09-11 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. (2018). Is History To Be Closed, Saved, or Re-Started?: Considering Efficient Art History (1ed.). In: Dan Karlholm & Keith Moxey (Ed.), Time in the History of Art: Temporality, Chronology, and Anachrony (pp. 13-25). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Is History To Be Closed, Saved, or Re-Started?: Considering Efficient Art History
2018 (English)In: Time in the History of Art: Temporality, Chronology, and Anachrony / [ed] Dan Karlholm & Keith Moxey, New York & Abingdon, Oxon: Routledge, 2018, 1, p. 13-25Chapter in book (Other academic)
Abstract [en]

Rather than recourse to historicism’s investments in determinative causes, “efficient” history, it is argued, should take its cue from the after-life or the history of the artwork following its creation at a specific moment in time. The perceived temporal crisis of art history today has much to do with developments on the scene of contemporary art related to the idea of contemporaneity more broadly. Post-history and post-future are criticized here for their rather facile dismissal of history. Whereas post-history is predicated upon a teleological philosophy of history, post-future is ultimately indebted to the concept of history it purports to abandon. The concept of the past is turned on its heels and used to characterize the present, which withers away, while the past remains and accumulates into a “present past.” Martin Heidegger and Gilles Deleuze, alongside Bruno Latour, are mobilized to form a future-oriented history model, in which anachronic quasi-objects are traced, linked, and associated in actual patterns of interconnection, in part reminiscent of the model set by the catalogue raissonné rather than the established developmental narrative of the history of art.

Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018 Edition: 1
Series
Studies in Art Historiography
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-35614 (URN)2-s2.0-85050056493 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-06-14 Created: 2018-06-14 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. & Moxey, K. (Eds.). (2018). Time in the History of Art: Temporality, Chronology, and Anachrony (1ed.). New York & Abingdon, Oxon: Routledge
Open this publication in new window or tab >>Time in the History of Art: Temporality, Chronology, and Anachrony
2018 (English)Collection (editor) (Other academic)
Place, publisher, year, edition, pages
New York & Abingdon, Oxon: Routledge, 2018. p. 253 Edition: 1
Series
Studies in Art Historiography
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-35611 (URN)10.4324/9781315229409 (DOI)2-s2.0-85050067339 (Scopus ID)978-0-415-34744-0 (ISBN)978-1-315-22940-9 (ISBN)
Available from: 2018-06-14 Created: 2018-06-14 Last updated: 2018-09-11Bibliographically approved
Karlholm, D. (2017). Den möjliga bilden. In: Hans Ruin & Jonna Bornemark (Ed.), Ad Marciam: (pp. 265-273). Huddinge: Södertörns högskola
Open this publication in new window or tab >>Den möjliga bilden
2017 (Swedish)In: Ad Marciam / [ed] Hans Ruin & Jonna Bornemark, Huddinge: Södertörns högskola, 2017, p. 265-273Chapter in book (Other academic)
Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2017
Series
Södertörn Philosophical Studies, ISSN 1651-6834 ; 20
National Category
Philosophy Arts
Identifiers
urn:nbn:se:sh:diva-32137 (URN)978-91-87843-72-3 (ISBN)
Available from: 2017-02-20 Created: 2017-02-20 Last updated: 2017-05-10Bibliographically approved
Karlholm, D. (2017). Fragments of a Place called the End of the World. In: Marcia Sa Cavalcante Schuback & Susanna Lindberg (Ed.), The End of the World: Contemporary Philosophy and Art (pp. 147-162). London: Rowman & Littlefield International
Open this publication in new window or tab >>Fragments of a Place called the End of the World
2017 (English)In: The End of the World: Contemporary Philosophy and Art / [ed] Marcia Sa Cavalcante Schuback & Susanna Lindberg, London: Rowman & Littlefield International, 2017, p. 147-162Chapter in book (Other academic)
Place, publisher, year, edition, pages
London: Rowman & Littlefield International, 2017
Keywords
Life-World, Medium, Heidegger, Martin, Durham-Peters, John, Edmund Husserl, Jules Verne
National Category
Cultural Studies Philosophy
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-31660 (URN)9781786602619 (ISBN)978-1-78660-263-3 (ISBN)
Available from: 2017-01-11 Created: 2017-01-11 Last updated: 2018-01-12Bibliographically approved
Karlholm, D. (2017). Lärd bok för att komma tidens verkningar på spåren: Recension av Rüdiger Safranski, Tid - vad den gör med oss och vi med den (Daidalos) [Review]. Respons : recensionstidskrift för humaniora & samhällsvetenskap (3), 32-34
Open this publication in new window or tab >>Lärd bok för att komma tidens verkningar på spåren: Recension av Rüdiger Safranski, Tid - vad den gör med oss och vi med den (Daidalos)
2017 (Swedish)In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 3, p. 32-34Article, book review (Other academic) Published
National Category
Philosophy, Ethics and Religion
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-33936 (URN)
Available from: 2017-12-18 Created: 2017-12-18 Last updated: 2017-12-19Bibliographically approved
Karlholm, D. (2017). När konsten blev subjekt. In: Anders Burman & Lena Lennerhed (Ed.), Samtider: Perspektiv på 2000-talets idéhistoria (pp. 37-58). Göteborg: Daidalos
Open this publication in new window or tab >>När konsten blev subjekt
2017 (Swedish)In: Samtider: Perspektiv på 2000-talets idéhistoria / [ed] Anders Burman & Lena Lennerhed, Göteborg: Daidalos, 2017, p. 37-58Chapter in book (Other academic)
Place, publisher, year, edition, pages
Göteborg: Daidalos, 2017
Keywords
materialitet, bildakt, agens, aktör-nätverk, Latour, influens
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-33937 (URN)978-91-7173-515-7 (ISBN)
Available from: 2017-12-18 Created: 2017-12-18 Last updated: 2017-12-22Bibliographically approved
Karlholm, D. (2017). The Canon of Contemporary Art: From Popular to Academic. Marburger Jahrbuch für Kunstwissenschaft, 44, 319-327
Open this publication in new window or tab >>The Canon of Contemporary Art: From Popular to Academic
2017 (English)In: Marburger Jahrbuch für Kunstwissenschaft, ISSN 0342-121X, Vol. 44, p. 319-327Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Marburg: , 2017
Keywords
Contemporary Art, Canon, Historiography
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36833 (URN)
Note

ISBN 978-3-89739-916-7

Available from: 2018-11-29 Created: 2018-11-29 Last updated: 2018-11-29Bibliographically approved
Karlholm, D. (2017). The Last Book on Installation Art? [Review]. Konsthistorisk Tidskrift, 86(2), 134-137
Open this publication in new window or tab >>The Last Book on Installation Art?
2017 (English)In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 86, no 2, p. 134-137Article, book review (Other academic) Published
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-30632 (URN)10.1080/00233609.2016.1174734 (DOI)000399548900004 ()2-s2.0-84966713825 (Scopus ID)
Available from: 2016-07-19 Created: 2016-07-18 Last updated: 2018-11-14Bibliographically approved
Karlholm, D. (2016). After Contemporary Art: Actualization and Anachrony. Nordic Journal of Aesthetics (51), 35-54
Open this publication in new window or tab >>After Contemporary Art: Actualization and Anachrony
2016 (English)In: Nordic Journal of Aesthetics, ISSN 2000-1452, E-ISSN 2000-9607, no 51, p. 35-54Article in journal (Refereed) Published
Abstract [en]

Departing from a critical assessment of the most widespread and initiated definitions of Contemporary Art from the last decade and a half, sustaining a world-wide discourse on contemporary art and contemporaneity, by Arthur Danto, Hans Belting, Peter Osborne and Terry Smith respectively, I will concentrate this talk on two aspects of an immodest proposal captured by the keywords actualization and anachrony. While current discussions on contemporary art are arguably reproducing modernist assumptions on the primacy of novelty and innovation, bolstered by a veiled avant-garde logic, the proposal to regard contemporary art as actualized art upsets not only ideas on what art after postmodernism might mean, but the whole edifice of historicist historiography. An anachronic perspective, a bi- or polychronic situatedness of the work of art, could be used to liberate art from being defined according to its unique descent, and to embrace, instead, a chronologic open to art’s continuous “life” through its successive aesthetic accessions and actualizations in time.

Place, publisher, year, edition, pages
Aarhus: , 2016
Keywords
contemporary art, conceptualism, postmodern, actualization, anachrony
National Category
History and Archaeology Arts Philosophy, Ethics and Religion
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-31351 (URN)2-s2.0-85009164520 (Scopus ID)
Projects
Tid, minne, representation
Funder
Riksbankens Jubileumsfond
Available from: 2016-12-13 Created: 2016-12-13 Last updated: 2017-11-29Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-3154-9552

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