This essay takes the novel The Museum of Unconditional Surrender by Dubravka Ugrešić as a starting point for a discussion of why the notion of a post-Yugoslav or post-communist cultural memory seems to be a contradiction in terms. The manifest impossibility of forming a collective post-Yugoslav memory provokes a reflection on how cultural and collective memory has been used in post-communist Eastern Europe to historify the communist past, which further has served the revival of a nationalist agenda. Ugrešić offers a counter memory, if we understand the term from Foucault as something that escapes the forming of identities. Finally, I suggest the notion of negative memory, as introduced by Reinhardt Koselleck, as a more apposite term for approaching memory in the post-communist sphere and in the unfolding catastrophes of the modern world.

The article forms the introduction to a report book giving a survey of how history has been and is being used for political purposes in Eastern Europe and Russia.It deals with all sorts of battles over how to interpret imporatant events in the past of certain countries and how governments attempt to control the way the past is taught in schools.